Muziekgebouw Frits Philips Video
- Eindhoven
- Paesi Bassi
Ultimo aggiornamento
2024-04-25
Aggiorna
Gustav Mahler Hessen Vinke Aken Sanders Muziekgebouw Frits Philips 2017
Philips Symfonie Orkest Onder leiding van Jules van Hessen Solisten: Maartje Rammeloo Lisette Bolle Laetitia Gerards Leonie van Rheden Carina Vinke Frank van Aken Martijn Sanders Jaco Huijpen Koren: Philips' Philharmonisch Koor Nederlands Concertkoor Toonkunstkoor Utrecht Nationaal Jongenskoor Nationaal Kinderkoor Live concertregistratie 9 December 2017 Muziekgebouw Frits Philips Eindhoven www.philipssymphonieorkest.nl De realisatie van deze opname is mede tot stand gekomen dankzij de financiële steun van 353 donateurs via crowdfundingplatform Voordekunst.
Willem Jeths Wouters Marc Soustrot Brabants Orkest Muziekcentrum Frits Philips 1939 1959 2004 2005
Willem Jeths (b. 1959) Clarinet Concerto "Yellow Darkness" Written in 2004-2005 while Jeths was composer-in-residence with the Brabants Orkest (Brabant Philharmonic Orchestra) in Eindhoven. Financial support was received from Fonds voor de Scheppende Toonkunst www.fondsscheppendetoonkunst.nl and the Brabant Philharmonic Orchestra www.brabantsorkest.nl Lars Wouters van den Oudenweijer, Clarinet Brabant Philharmonic Orchestra Marc Soustrot, conductor This world première performance was recoded on 9 April 2005 at the Muziekcentrum Frits Philips, Eindhoven by Kompas CD multimedia BV and released byNorthWest Classics NWC 501217 www.northwestrecords.com Photographs of the Lichtarcade, Nederlands Architecturinstituut, Rotterdam, with lighting by the Dutch artist and sculptor Peter Struycken (b. 1939) nl.wikipedia.org/wiki/Peter_Struycken
Iannis Xenakis Sylvio Gualda Muziekgebouw Frits Philips 1922 1953 1966 1971 1975 1979 1980 1981 1983 1985 1988 1989 2001 2014
ABOUT THE PERFORMER - Konstantyn Napolov performs Rebonds B by Iannis Xenakis in The "K_Napolov" way! - (http•••) The performance took place at the Muziekgebouw Frits Philips, Eindhoven, on Saturday 8th of November 2014 at 14:40 in time of 1st round of TROMP percussion competition. ABOUT THE PIECE - Premiered on July 1st, 1988 in Rome by its dedicatee, Sylvio Gualda, Rebonds is an immense abstract ritual. It is a series of movements and hammerings, pure music of increased rhythms. Organized in two pieces of unequal length that can be played A then B or B then A, the work pursues the exploration of the beat as seen in Psappha and taken up again in Aïs (1980), Komboï (1981), Chant des soleils (1983), Idmen B (1985) and Okho (1989). But unlike Psappha, the work is devoid of dramatic dimension. Beat, periodicity, repetition, duplication, recurrence and imitation (accurate or otherwise) are the most obvious signs of change on a greater scale in the musician's writing. According to Makis Solomos, the beat symbolises an overall idea that is stated in three ways: order, which regulates the rhythmic universe through opposition to disorder; minimal periodicity versus aperiodicity; and discontinuity as opposed to continuity of a primary time presumed to be infinitely smooth. ABOUT THE COMPOSER - Iannis Xenakis (May 29, 1922 / February 4, 2001) was an ethnic Greek, naturalized French composer, music theorist, and architect-engineer. He is commonly recognized as one of the most important post-war avant-garde composers. Xenakis pioneered the use of mathematical models such as applications of set theory, varied use of stochastic processes, game theory, etc., in music, and was also an important influence on the development of electronic music. Among his most important works are Metastaseis +••.••(...)) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes. Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (1971) is regarded as one of his most important. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the Sainte Marie de La Tourette, on which the two architects collaborated, and the Philips Pavilion at Expo 58, which Xenakis designed alone.
Edward Elgar Maas Berg Muziekgebouw Frits Philips 2016
Michael Engelbrecht, euphonium Martien Maas, piano Martin van den Berg, recording/editing/mastering Recorded: April 20, 2016 in Eindhoven, The Netherlands at Muziekgebouw Frits Philips This recording is on request also available on CD. www.michaelengelbrecht.com
Non più?
Ogni giorno soclassiq cerca nuovi articoli, video, concerti e così via sulla musica classica e l'opera lirica, i loro artisti, luoghi, orchestre....
Muziekgebouw Frits Philips ? Non abbiamo ancora raccolto molti contenuti su questo argomento, ma continuiamo a cercare.
o
- carta: Sale da concerti - Europa
- Indici (per ordine alfabetico): M...