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Nicola Zerola Verdi Rossetti Ruggero Leoncavallo Oscar Hammerstein I Hammerstein Mariette Mazarin Marguerite Alvarez Emma Trentini Giacomo Meyerbeer Maschera Henry Février Teatro Comunale Florence Teatro Comunale Bologna Philadelphia Opera House Scala Manhattan Opera Company Philadelphia Opera Philadelphia Opera Company Chicago Grand Opera Company Baltimore Opera Company Metropolitan Opera Philadelphia Grand Opera Company 1876 1898 1903 1907 1908 1909 1910 1911 1912 1920 1921 1928 1936
Nicola Zerola - Pagliaccio - Non Pagliaccio non son - Victor 74247 eenregistré le 10 mars 1911 Nicola Zerola (1876 – 21 July 1936) was an Italian operatic tenor who had an active international career from 1898-1928. He began his career in his native country, but was soon heard in concerts and operas internationally during the first years of the 20th century. In 1908 he relocated to the United States where he was active with important opera companies in New York, Chicago, and Philadelphia up into the late 1920s. In 1910 he recorded several selections from Verdi's Otello for the Victor Talking Machine Company. He also made 11 solo recordings and one duet for the Gramophone and Typewriter Company in 1910-1911 Born in Naples, Zerola began his career as a baritone and made his professional opera debut in 1898 at the Teatro Rossetti in Trieste as Tonio in Ruggero Leoncavallo's Pagliacci. This was soon followed by performances at the Teatro Comunale Florence and at other opera houses in the Italian provinces. He made his debut as a tenor in 1903 in the role of Canio in Pagliacci.[2] He soon after undertook performances in Belgium, Egypt, France, Spain, Holland, and South America.[2] In November 1908 he had a great success at the Teatro Comunale di Bologna as Radamès to the Aida of Lucia Crestani In 1907 Zerola traveled with a small touring company to the United States where he was lauded by critics and audiences. This led to his appointment to New York City's Manhattan Opera Company by Oscar Hammerstein I in 1908. He made his debut with the company in January 1909 at the Manhattan Opera House under conductor Giuseppe Sturani as Radames to the Aida of Mariette Mazarin and Amneris of Marguerite d'Alvarez. He remained there until the company went bankrupt in 1910; singing such roles as Manrico in Verdi's Il trovatore and the title role in Verdi's Otello. He also sang with Hammerstein's Philadelphia Opera Company in 1909-1910. He made his debut with that company as Canio in Pagliacci with Emma Trentini as Nedda at the Philadelphia Opera House on November 25, 1909. On 21 November 1910 Zerola sang Radames again for his debut with the Chicago Grand Opera Company with Jeanne Korolowicz as Aida. He actively performed with the company through May 1911 in performances in both Chicago and Philadelphia. His other roles with that company included Raoul de Nangis in Giacomo Meyerbeer's Les Huguenots, Manrico, and Otello. In January 1911 he opened the Baltimore Opera Company's new season as Radames. In 1911-1912 he was committed to the Royal Opera House in London where he performed the roles of Riccardo in Verdi's Un ballo in maschera, Canio, Manrico, Otello, Radames, and Raoul de Nangis. In 1920-1921 Zerola was heard at the Metropolitan Opera in New York City as Canio. and at the Philadelphia Grand Opera Company as Otello. He was also active with the Philadelphia La Scala Opera Company in the 1920s. In 1928 he sang the role of Prinzivalle in the New York premiere of Henry Février's Monna Vanna.[9] He died in New York City in 1936. Source: Wikipedia
Nicola Zerola Hammerstein Maschera Verdi Baltimore Opera Company Opera Company Philadelphia Metropolitan Opera 1876 1898 1900 1908 1909 1910 1911 1920 1928 1936
Nicola Zerola +••.••(...)) was born in Naples and began his career as a baritone, making his debut as Tonio in Pagliacci in 1898. Realizing that he was singing in the wrong range, Zerola retrained his voice and reemerged as a tenor in 1900. After appearances in Trieste, Bologna, Cremona, Barcelona, Paris, Cairo, Liège, Malta and Amsterdam, the busy tenor visited the U.S. for the first time in 1908. He was signed to a contract with Hammerstein’s Manhattan Opera where he remained until 1910. Now making the U.S. his permanent home, Zerola began working with such companies as Chicago Grand Opera, the Baltimore Opera Company and Philadelphia Grand Opera. During the 1920/21 season at the Metropolitan Opera he performed Vesti la giubba and Celeste Aïda on a Sunday Night Concert and sang Canio in a concert version of Pagliacci. Apart from these two performances, Zerola never again sang at the Met. Among his roles were Turiddu in Cavalleria Rusticana, Raoul in Les Huguenots, Rodolfo in La Bohème, Manrico in Il Trovatore, Riccardo in Un Ballo in Maschera, Radames in Aïda and the title roles in Ernani and Otello. One of his final performances was the New York premiere of Février’s opera Monna Vanna in April of 1928. Zerola died in New York in the summer of 1936 at the age of sixty. Nicola Zerola made a few recordings for the Gramophone Company in Milan and for Victor in Camden, New Jersey between 1909 and 1911. Here, Zerola sings the death scene, "Niun mi tema" from the final act of Verdi's Otello. This recording was made for the Victor label on October 20, 1909.
Shin Youngok Morricone Maschera Giuseppe Verdi James Levine James Conlon Santi Plácido Domingo Luciano Pavarotti Leo Nucci Samuel Ramey Marilyn Horne Bellini Mozart Haydn Stravinsky Rossignol Mahler Salonen José Carreras Handel Thomson Koussevitsky Metropolitan Opera Canadian Opera Company Baltimore Opera Company Florentine Opera Minnesota Orchestra Covent Garden Opéra Nice Opéra Comique Teatro Municipal Santiago Chile Liceo Barcelona Teatro Regio Teatro Massimo Teatro Massimo Bellini Washington National Opera Lincoln Center Cincinnati May Festival Roy Thomson Hall 1990 1991 2001 2007
Shin Youngok 신영옥 申英玉 coloratura soprano (http•••) NELLA FANTASIA MUSIC VIDEO E. Morricone : “Nella Fantasia” 엔니오 모리코네 : “넬라 판타지아” - 미션 (The Mission) A music video/montage I shot/edited for Korean Soprano Youngok Shin Nella Fantasia is beautifully sung by Youngok in her new album, "Cinematique" Youngok Shin has appeared regularly at the Metropolitan Opera since 1991 in a variety of roles including Gilda in Rigoletto, title role in Lucia di Lammermoor, Zerlina in Don Giovanni, Elvira in I Puritani, Oscar in Un Ballo in Maschera, Adina in L'Elisir d’Amore, the Nightingale in L'Enfant et les sortilèges, among others. She has also sung in the Met’s New Year's Eve Millennium Gala, the 2001 Gala honoring Giuseppe Verdi and the World Trade Center Relief Benefit. At the Met she has sung with some of the worlds leading conductors and singers including James Levine, James Conlon, Nello Santi, Edoardo Müller, Plácido Domingo, Luciano Pavarotti, Leo Nucci, Samuel Ramey, Marilyn Horne, among others. She has also appeared at the Royal Opera Covent Garden as Gilda, the Opéra National de Paris as La Reine in Perelà l'homme de fumée, Oscar in Ballo and as Gilda, Opéra de Nice as Aminta in Il Re Pastore and as Elvira in Puritani, Opéra Comique as Amina in La Sonnambula, and as Adina, Canadian Opera Company as Gilda and Lucia, Teatro Municipal in Santiago, Chile and the Liceo in Barcelona as Léïla in Les Pêcheurs de perles, Teatro Regio in Turin as Elvira, Teatro Massimo Bellini in Catania in the title role of Bianca e Fernando, Washington National Opera as Oscar, New York City Opera as the Princess in L'Enfant et les sortilèges, Baltimore Opera Company as Lakmé, Lucia, and Gilda, New Jersey State Opera and Florentine Opera as Lucia, the Spoleto Festivals in Charleston and in Italy as Susanna in Le Nozze di Figaro, the Monterrey Mexico Music Festival as Adina, Tenerife festival as Giulietta in I Capuletti e i Montecchi, and in several other world famous venues and festivals in brilliant leading roles. On the concert stage Ms Shin has appeared at the Mostly Mozart Festival at Lincoln Center, with the Cincinnati May Festival singing Haydn’s Lord Nelson Mass and Stravinsky’s Le Rossignol, the Minnesota Orchestra for the Mahler 8th under James Conlon, the Los Angeles Philharmonic in a gala concert under Esa Pekka Salonen, concerts in Singapore, Kuala Lumpur and Seoul with José Carreras, Carmina Burana with the New Jersey Symphony, an aria concert with the Chautauqua Festival Orchestra, Handel’s Samson with the Pittsburgh Oratorio Society, and in recital in Toronto at Roy Thomson Hall and Pittsburgh Recital Series. She has also toured South Korea in a series of televised recitals and concerts sponsored by Samsung Electronics and the Korean Broadcasting System. A native of Seoul, she is the recipient of a number of prizes in vocal competitions; winner of the Metropolitan Opera National Council auditions of 1990, the Loren Zachary Competition, and First Prizes in the Olga Koussevitsky Competition. She holds B.M. and M.M. Degrees from the Juilliard School of Music. 이 시대의 가장 아름다운 리릭 콜로라투라 소프라노로 꼽히는 신영옥은 메트로폴리탄 오페라의 ≪리골레토≫에서 질다로 데뷔한 이래 ≪람메르무어의 루치아≫의 타이틀 롤, ≪청교도≫의 엘비라, ≪돈 죠반니≫의 체를리나, 테너 루치아노 파바로티와 함께 했던 ≪사랑의 묘약≫의 아디나, ≪가면 무도회≫의 오스카 역 등의 주역을 맡으며 눈부신 활약을 하고 있다. 이외에도 메트 오페라가 매해 여름 뉴욕 시(市) 공원에서 개최하는 야외 음악회에 정기적으로 참여 하였으며, 1천 년 만에 한 번밖에 열 수 없는 밀레니엄 갈라에서는 스페셜 게스트로, 베르디 서거 100주년을 기념하는 시즌 오프닝 나이트와 세계무역센터 참사 피해자 가족을 돕기 위한 자선 갈라에서는 지휘자 제임스 레바인, 테너 플라시도 도밍고, 소프라노 데보라 보이트 등과 함께 열연하며 평론가들의 극찬을 받았다. 또한 영국의 로얄 오페라 하우스 코벤트 가든, 프랑스의 바스티유 오페라, 오페라 코믹, 니스 오페라, 독일의 콜론 오페라, 스페인의 리시우 극장, 이태리의 테아트로 레지오, 테아트로 마씨모 벨리니, 캐나다의 캐나디언 오페라 컴퍼니, 미국의 워싱턴 오페라, 볼티모어 오페라 컴퍼니 등에서의 데뷔 무대를 성공적으로 이끌어냈고, 이에 ‘타임즈’, ‘르 몽드’를 비롯한 주요 언론들이 모두 문화 면에서 그녀를 소개하며 ‘새털 같은 은빛의 목소리’라는 호평을 아끼지 않았다. 최고의 프리마돈나로서뿐만 아니라 콘서트와 리사이틀, 페스티벌 무대에서도 격찬을 받으며 활발한 활동을 해온 신영옥은 링컨 센터의 모스틀리 모차르트 페스티벌에서 ‘모차르트 콘서트 아리아’ 연주회를 가졌고, 테너 호세 카레라스와는 싱가포르·쿠알라룸푸르 갈라 콘서트와 서울 상암 경기장 빅 콘서트에서 함께 호흡을 맞추었다. 오케스트라 신포니카 시실리아나와는 팔레르모, 메시나 및 카타니아에서 아리아 연주회, 덴마크에서는 아르후스 페스티벌 심포니와 함께 ≪청교도≫ 콘서트를 가졌으며, 신시네티에서는 지휘자 제임스 콘론과 함께 하이든의 '로드 넬슨 미사'와 스트라빈스키의 '나이팅게일'을 연주해 화제가 되기도 하였다. 뉴욕 카네기 홀, 엘리스 툴리 홀, 토론토 로이 톰슨 홀에서의 리사이틀 등을 통해 섬세한 음악성을 보여주었고, LA 필하모닉의 시즌 개막공연에서는 에사 페카 살로넨의 지휘 아래 모차르트의 ‘엑슐라테 유빌라테’를 연주한 바 있다. 어느덧 메트 무대에 데뷔한 지 16년째로 접어든 신영옥, 그녀는 지난 해 말과 올해 초에도 메트 무대에서 루치아와 질다로 분해 자신의 이름만으로 메트로폴리탄의 객석을 가득 메웠다. 그녀의 2007년은 또다시 익숙한 도전들로 채워질 예정이다. 미네소타 오페라에서 극장초연으로 무대에 올려지는 ≪라크메≫에 출연하며, 볼티모어 오페라 컴퍼니에서는 ≪로미오와 줄리엣≫, 그 외에도 메트 오페라와 미국, 유럽 등지에서의 화려한 무대가 계획되어 있다. 이것이 성악가의 전성기인 마흔 중반을 이제 막 접어든 그녀의 현재 자화상이다. 그 목소리와 그 성장에 거는 기대감은 그래서 더욱 크다.
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