Nicola Zerola Vídeos
cantante de ópera italiano
- tenor
- Reino de Italia
- cantante de ópera
Última actualización
2024-05-05
Actualizar
Nicola Zerola Giuseppe Verdi 1876 1909 1936
Giuseppe Verdi OTELLO "Nium mi tema" - Disco acustico Victor, New Jersey - matrice C8302-2 - numeri di catalogo 88202 / 2-052019. Tenore italiano NICOLA ZEROLA (Napoli 1876 - New York 1936)
Nicola Zerola Verdi Rossetti Ruggero Leoncavallo Oscar Hammerstein I Hammerstein Mariette Mazarin Marguerite Alvarez Emma Trentini Giacomo Meyerbeer Maschera Henry Février Teatro Comunale Florence Teatro Comunale Bologna Philadelphia Opera House Scala Manhattan Opera Company Philadelphia Opera Philadelphia Opera Company Chicago Grand Opera Company Baltimore Opera Company Metropolitan Opera Philadelphia Grand Opera Company 1876 1898 1903 1907 1908 1909 1910 1911 1912 1920 1921 1928 1936
Nicola Zerola - Pagliaccio - Non Pagliaccio non son - Victor 74247 eenregistré le 10 mars 1911 Nicola Zerola (1876 – 21 July 1936) was an Italian operatic tenor who had an active international career from 1898-1928. He began his career in his native country, but was soon heard in concerts and operas internationally during the first years of the 20th century. In 1908 he relocated to the United States where he was active with important opera companies in New York, Chicago, and Philadelphia up into the late 1920s. In 1910 he recorded several selections from Verdi's Otello for the Victor Talking Machine Company. He also made 11 solo recordings and one duet for the Gramophone and Typewriter Company in 1910-1911 Born in Naples, Zerola began his career as a baritone and made his professional opera debut in 1898 at the Teatro Rossetti in Trieste as Tonio in Ruggero Leoncavallo's Pagliacci. This was soon followed by performances at the Teatro Comunale Florence and at other opera houses in the Italian provinces. He made his debut as a tenor in 1903 in the role of Canio in Pagliacci.[2] He soon after undertook performances in Belgium, Egypt, France, Spain, Holland, and South America.[2] In November 1908 he had a great success at the Teatro Comunale di Bologna as Radamès to the Aida of Lucia Crestani In 1907 Zerola traveled with a small touring company to the United States where he was lauded by critics and audiences. This led to his appointment to New York City's Manhattan Opera Company by Oscar Hammerstein I in 1908. He made his debut with the company in January 1909 at the Manhattan Opera House under conductor Giuseppe Sturani as Radames to the Aida of Mariette Mazarin and Amneris of Marguerite d'Alvarez. He remained there until the company went bankrupt in 1910; singing such roles as Manrico in Verdi's Il trovatore and the title role in Verdi's Otello. He also sang with Hammerstein's Philadelphia Opera Company in 1909-1910. He made his debut with that company as Canio in Pagliacci with Emma Trentini as Nedda at the Philadelphia Opera House on November 25, 1909. On 21 November 1910 Zerola sang Radames again for his debut with the Chicago Grand Opera Company with Jeanne Korolowicz as Aida. He actively performed with the company through May 1911 in performances in both Chicago and Philadelphia. His other roles with that company included Raoul de Nangis in Giacomo Meyerbeer's Les Huguenots, Manrico, and Otello. In January 1911 he opened the Baltimore Opera Company's new season as Radames. In 1911-1912 he was committed to the Royal Opera House in London where he performed the roles of Riccardo in Verdi's Un ballo in maschera, Canio, Manrico, Otello, Radames, and Raoul de Nangis. In 1920-1921 Zerola was heard at the Metropolitan Opera in New York City as Canio. and at the Philadelphia Grand Opera Company as Otello. He was also active with the Philadelphia La Scala Opera Company in the 1920s. In 1928 he sang the role of Prinzivalle in the New York premiere of Henry Février's Monna Vanna.[9] He died in New York City in 1936. Source: Wikipedia
Giovanni Martinelli Roselle Tommasini Doll Hoffmann Nicola Zerola Sydney Rayner Coe Glade Armand Tokatyan Joseph Royer Royer Rothier Greco 1980
A.N.N.A. Records - issued ca. 1980 Featuring singers who performed for the San Carlo Grand Opera Company 00:00 - Giovanni Martinelli - Vesti la giubba (Pagliacci) 03:14 - Anna Roselle - Je dis (Carmen) 07:35 - Gaetano Tommasini - Sole, Luna, Mare 10:24 - Alice Zeppelli - Doll Aria (Tales of Hoffmann) 13:10 - Nicola Zerola - Figli miei (Samson et Dalila) 15:33 - Sydney Rayner - Che gelida manina (La Boheme) 19:31 - Coe Glade - En vain pour eviter (Carmen) 22:52 - Armand Tokatyan & Joseph Royer - Je suis Escamillo (Carmen) 25:50 - Leon Rothier - Au Bruit (Philemon et Baucis) 29:12 - Bruna Castagna - Stride la vampa (Il Trovatore) 31:48 - Norina Greco - D'Amor sull'ali rosee (Il Trovatore)
Nicola Zerola Hammerstein Maschera Verdi Baltimore Opera Company Opera Company Philadelphia Metropolitan Opera 1876 1898 1900 1908 1909 1910 1911 1920 1928 1936
Nicola Zerola +••.••(...)) was born in Naples and began his career as a baritone, making his debut as Tonio in Pagliacci in 1898. Realizing that he was singing in the wrong range, Zerola retrained his voice and reemerged as a tenor in 1900. After appearances in Trieste, Bologna, Cremona, Barcelona, Paris, Cairo, Liège, Malta and Amsterdam, the busy tenor visited the U.S. for the first time in 1908. He was signed to a contract with Hammerstein’s Manhattan Opera where he remained until 1910. Now making the U.S. his permanent home, Zerola began working with such companies as Chicago Grand Opera, the Baltimore Opera Company and Philadelphia Grand Opera. During the 1920/21 season at the Metropolitan Opera he performed Vesti la giubba and Celeste Aïda on a Sunday Night Concert and sang Canio in a concert version of Pagliacci. Apart from these two performances, Zerola never again sang at the Met. Among his roles were Turiddu in Cavalleria Rusticana, Raoul in Les Huguenots, Rodolfo in La Bohème, Manrico in Il Trovatore, Riccardo in Un Ballo in Maschera, Radames in Aïda and the title roles in Ernani and Otello. One of his final performances was the New York premiere of Février’s opera Monna Vanna in April of 1928. Zerola died in New York in the summer of 1936 at the age of sixty. Nicola Zerola made a few recordings for the Gramophone Company in Milan and for Victor in Camden, New Jersey between 1909 and 1911. Here, Zerola sings the death scene, "Niun mi tema" from the final act of Verdi's Otello. This recording was made for the Victor label on October 20, 1909.
o
- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): Z...