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2024-05-07
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Chloé Briot Elliot Madore Huffman Opéra Comédie Festival Radio France Occitanie Montpellier Opera Philadelphia 2021
Jouer une multitude de personnages, parler, chanter, en français et en russe... A quelques jours de la création française de l'opéra Denis & Katya (Ted Huffman / Philip Venables) à Montpellier, les deux solistes Chloé Briot, soprano, et Elliot Madore, baryton, reviennent sur le défi artistique de cette production inspirée de faits réels. 26, 28 et 29 juillet 2021 à l'Opéra Comédie avec le Festival Radio France Occitanie Montpellier ️ Réservation : (http•••) ️ Passe sanitaire obligatoire / Interprètes : Chloé Briot (soprano), Elliot Madore (baryton), et les violoncellistes Cyrille Tricoire, Yannick Callier, Camille Supéra, Sophie Gonzalez Del Camino / Coproduction Opera Philadelphia / Music Theatre Wales Diffusé en différé sur France Musique / Making of réalisé avec le soutien de Fedora Platform et #CreativeEurope
Nicola Zerola Verdi Rossetti Ruggero Leoncavallo Oscar Hammerstein I Hammerstein Mariette Mazarin Marguerite Alvarez Emma Trentini Giacomo Meyerbeer Maschera Henry Février Teatro Comunale Florence Teatro Comunale Bologna Philadelphia Opera House Scala Manhattan Opera Company Philadelphia Opera Philadelphia Opera Company Chicago Grand Opera Company Baltimore Opera Company Metropolitan Opera Philadelphia Grand Opera Company 1876 1898 1903 1907 1908 1909 1910 1911 1912 1920 1921 1928 1936
Nicola Zerola - Pagliaccio - Non Pagliaccio non son - Victor 74247 eenregistré le 10 mars 1911 Nicola Zerola (1876 – 21 July 1936) was an Italian operatic tenor who had an active international career from 1898-1928. He began his career in his native country, but was soon heard in concerts and operas internationally during the first years of the 20th century. In 1908 he relocated to the United States where he was active with important opera companies in New York, Chicago, and Philadelphia up into the late 1920s. In 1910 he recorded several selections from Verdi's Otello for the Victor Talking Machine Company. He also made 11 solo recordings and one duet for the Gramophone and Typewriter Company in 1910-1911 Born in Naples, Zerola began his career as a baritone and made his professional opera debut in 1898 at the Teatro Rossetti in Trieste as Tonio in Ruggero Leoncavallo's Pagliacci. This was soon followed by performances at the Teatro Comunale Florence and at other opera houses in the Italian provinces. He made his debut as a tenor in 1903 in the role of Canio in Pagliacci.[2] He soon after undertook performances in Belgium, Egypt, France, Spain, Holland, and South America.[2] In November 1908 he had a great success at the Teatro Comunale di Bologna as Radamès to the Aida of Lucia Crestani In 1907 Zerola traveled with a small touring company to the United States where he was lauded by critics and audiences. This led to his appointment to New York City's Manhattan Opera Company by Oscar Hammerstein I in 1908. He made his debut with the company in January 1909 at the Manhattan Opera House under conductor Giuseppe Sturani as Radames to the Aida of Mariette Mazarin and Amneris of Marguerite d'Alvarez. He remained there until the company went bankrupt in 1910; singing such roles as Manrico in Verdi's Il trovatore and the title role in Verdi's Otello. He also sang with Hammerstein's Philadelphia Opera Company in 1909-1910. He made his debut with that company as Canio in Pagliacci with Emma Trentini as Nedda at the Philadelphia Opera House on November 25, 1909. On 21 November 1910 Zerola sang Radames again for his debut with the Chicago Grand Opera Company with Jeanne Korolowicz as Aida. He actively performed with the company through May 1911 in performances in both Chicago and Philadelphia. His other roles with that company included Raoul de Nangis in Giacomo Meyerbeer's Les Huguenots, Manrico, and Otello. In January 1911 he opened the Baltimore Opera Company's new season as Radames. In 1911-1912 he was committed to the Royal Opera House in London where he performed the roles of Riccardo in Verdi's Un ballo in maschera, Canio, Manrico, Otello, Radames, and Raoul de Nangis. In 1920-1921 Zerola was heard at the Metropolitan Opera in New York City as Canio. and at the Philadelphia Grand Opera Company as Otello. He was also active with the Philadelphia La Scala Opera Company in the 1920s. In 1928 he sang the role of Prinzivalle in the New York premiere of Henry Février's Monna Vanna.[9] He died in New York City in 1936. Source: Wikipedia
Lisette Oropesa Lindemann Catán Riccardo Muti Brahms Weill James Levine Daniel Barenboim Metropolitan Opera Bavarian State Opera San Francisco Opera Dutch National Opera Opera Philadelphia Chicago Symphony Orchestra Pittsburgh Symphony Orchestra Cleveland Orchestra Orchestra Accademia Nazionale Santa Cecilia Philadelphia Orchestra Washington National Opera Teatro Real Madrid Concertgebouw 2008
Join internationally-renowned soprano Lisette Oropesa for a Royal Opera Masterclass featuring her coaching members of the Company's Jette Parker Young Artist Programme. Subscribe to our channel to watch more Masterclass sessions with some of the world's top singers. Oropesa grew up in Baton Rouge, Louisiana, and initially trained as a flautist before studying voice at Louisiana State University. She was a winner of the Metropolitan Opera’s National Council Auditions grand finals and subsequently became a member of the Lindemann Young Artist Development Program. Since leaving the Program in 2008 she has returned to the Metropolitan Opera in roles including Nannetta (Falstaff), Sophie (Werther), Susanna (Le nozze di Figaro) and Gilda (Rigoletto). Engagements elsewhere include Konstanze (Die Entführung aus dem Serail) for Bavarian State Opera and Paris Opéra, Norina (Don Pasquale) for Glyndebourne Festival, Ophélie (Hamlet) in Lausanne, Susanna and Marie (La Fille du régiment) for Washington National Opera, Romilda (Serse) and Susanna for San Francisco Opera, Gilda for Rome Opera, Grand Théâtre de Genève, Dutch National Opera, Teatro Real, Madrid, and at the Amsterdam Concertgebouw, Violetta (La traviata) for Opera Philadelphia and Rosalba (Catán’s Florencia en el Amazonas) for Los Angeles Opera. Oropesa’s concert appearances include Carmina Burana with Chicago Symphony Orchestra and Riccardo Muti, Pittsburgh Symphony Orchestra and Cleveland Orchestra, performances with the Orchestra dell’Accademia Nazionale di Santa Cecilia and the Philadelphia Orchestra and Brahms’s Liebeslieder Walzer at Weill Hall with James Levine and Daniel Barenboim. This event is generously supported by Rolex
Missy Mazzoli Cleve Opera Philadelphia 2016
OHAM at Yale reacts to Missy Mazzoli's new opera, Breaking the Waves, premiered by Opera Philadelphia at the Perelman Theater in September, 2016. Audio: 2016 OHAM Interview Missy Mazzoli with Libby Van Cleve Visit (http•••) for more information on this and other OHAM interviews Video Included From: BREAKING THE WAVES TRAILER - Opera Philadelphia by Opera Philadelphia (http•••) BREAKING THE WAVES Preview by Opera Philadelphia (http•••) Articulate with Jim Cotter - Making Waves at the Opera by Articulate (http•••)
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