Rafał Augustyn Video
compositore polacco
- musica classica
- Polonia
- compositore, critico musicale, polonista
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2024-05-04
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Tadeusz Szeligowski Peters Bolesław Wallek Walewski Sergei Prokofiev Enesco Arthur Honegger Nadia Boulanger Paul Dukas Darius Milhaud Francis Poulenc Jascha Heifetz Vladimir Horowitz Arthur Rubinstein Ignacy Jan Paderewski Karol Szymanowski Fryderyk Chopin Augustyn Augustyn Bloch Bloch Joanna Bruzdowicz Tadeusz Wojciech Maklakiewicz Maklakiewicz Boleslaw Ocias Peacock 1896 1910 1914 1918 1923 1929 1931 1951 1962 1963
Aleksandra Kapczuk - Piano (Audio from Fundacja Cultura Animi - (http•••) Tadeusz Szeligowski +••.••(...)) was a Polish Composer. Szeligowski’s first music and piano teacher was his mother. Later he began studying music at the Conservatory of Music of the Polish Society in L'vov in the years 1910-1914, where he studied piano under the direction of Vilem Kurz, and then from 1918-1923 in Kraków, where he studied piano with H. Peters, and composition with Bolesław Wallek-Walewski. He complemented his studies in music in the years 1929-1931 in Paris, where he met many composers of his time such as Sergei Prokofiev, George Enesco and Arthur Honegger. There he studied composition with Nadia Boulanger and orchestration with Paul Dukas. There he attended many concerts and intensely experienced the latest compositions by Darius Milhaud, Francis Poulenc, ballet productions of many famous companies, as well as highly acclaimed performances by Jascha Heifetz, Vladimir Horowitz, Arthur Rubinstein and Ignacy Jan Paderewski. In 1923 Szeligowski worked in Vilnius, Lithuania (then part of the Second Polish Republic), as lawyer and lecturer at the Conservatory of Music. There he met Karol Szymanowski and became a great admirer of his music. From 1951-1962 Szeligowski worked in Warsaw, first for the faculty of the Fryderyk Chopin University of Music in Warsaw, and later as director of the Polish Society of Composers. A large group of his graduates on composition include: Zbigniew Bargielski, Augustyn Bloch, Joanna Bruzdowicz, Wojciech Lukaszewski, Tadeusz Wojciech Maklakiewicz, Boleslaw Ocias, Witold Rudzinski, Marek Sart, Aleksander Szeligowski and Antoni Szuniewicz. His works include the operas The Rise of the Scholars, Krakatuk and Theodor Gentlemen, the ballets The Peacock and the Girl and Mazepa ballets, two violin concertos, Piano Concerto, chamber and choral works There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
Halina Łukomska Toti Dal Monte Webern Berg Nono Boulez Szymanowski Lutosławski Augustyn Augustyn Bloch Bloch Aloysia Weber Weber 1787 1788 1929 1954 1968 2016
THE SONGBIRD: Polish soprano Halina Łukomska +••.••(...)) Studied in Warsaw, graduating in 1954, and continued to study privately in Italy, including two years with Toti Dal Monte. Lukomoska sang a few lyric-coloratura operatic roles, but mostly appeared in concert with an emphasis on contemporary works by composers including Webern, Berg, Nono, Boulez, Szymanowski, and Lutosławski. She was married to Polish composer Augustyn Bloch and premiered several of his concert works. THE MUSIC: Mozart's "Don Giovanni" had its premiere in Prague in 1787. Donna Anna is one of three soprano roles. Her second aria "Non mi dir" has a multi-part structure beginning with a challenging accompanied recitative, followed by a gracefully melodic aria and a short florid conclusion. The role is often taken by dramatic voices as the music calls for bursts of outrage, but it was sung by high coloratura soprano Aloysia Weber in the Vienna premiere in 1788 under Mozart's direction.
J 14, 2 - 11. W domu mego Ojca jest wiele mieszkań; gdyby tak nie było, to bym wam powiedział. Teraz idę tam, aby przygotować wam miejsce. A jeśli pójdę i przygotuję wam miejsce, to znowu powrócę i zabiorę was do siebie, abyście byli tam, gdzie Ja jestem. A znacie drogę tam, dokąd idę”. Na co rzekł Tomasz: „Panie, nie wiemy dokąd idziesz. Jak więc możemy znać drogę?” Jezus mu odpowiedział: „Ja jestem drogą i prawdą, i życiem. Nikt nie przychodzi do Ojca, jak tylko przeze Mnie. Jeśli Mnie poznaliście, będziecie również znać mego Ojca. Wy zresztą już Go znacie, a nawet ujrzeliście”. Wtedy Filip poprosił: „Panie, pokaż nam Ojca, a to nam wystarczy”. Jezus mu odparł: „Filipie! Jeszcze Mnie nie znasz, mimo że tak długo jestem z wami? Kto Mnie zobaczył, zobaczył także Ojca. Dlaczego więc prosisz: «Pokaż nam Ojca»? Czyżbyś nie wierzył, że Ja jestem w Ojcu, a Ojciec jest we Mnie? Słów, które mówię do was, nie wypowiadam od siebie. To Ojciec, który jest we Mnie, dokonuje swoich dzieł. Wierzcie Mi, że Ja jestem w Ojcu, a Ojciec we Mnie. Jeśli zaś nie, to przynajmniej wierzcie ze względu na dzieła.
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): A...