Joanna Bruzdowicz Video
compositrice polacca
- pianoforte
- opera
- Polonia, Francia
- compositore, pianista, critico musicale
Ultimo aggiornamento
2024-05-02
Aggiorna
Tadeusz Szeligowski Peters Bolesław Wallek Walewski Sergei Prokofiev Enesco Arthur Honegger Nadia Boulanger Paul Dukas Darius Milhaud Francis Poulenc Jascha Heifetz Vladimir Horowitz Arthur Rubinstein Ignacy Jan Paderewski Karol Szymanowski Fryderyk Chopin Augustyn Augustyn Bloch Bloch Joanna Bruzdowicz Tadeusz Wojciech Maklakiewicz Maklakiewicz Boleslaw Ocias Peacock 1896 1910 1914 1918 1923 1929 1931 1951 1962 1963
Aleksandra Kapczuk - Piano (Audio from Fundacja Cultura Animi - (http•••) Tadeusz Szeligowski +••.••(...)) was a Polish Composer. Szeligowski’s first music and piano teacher was his mother. Later he began studying music at the Conservatory of Music of the Polish Society in L'vov in the years 1910-1914, where he studied piano under the direction of Vilem Kurz, and then from 1918-1923 in Kraków, where he studied piano with H. Peters, and composition with Bolesław Wallek-Walewski. He complemented his studies in music in the years 1929-1931 in Paris, where he met many composers of his time such as Sergei Prokofiev, George Enesco and Arthur Honegger. There he studied composition with Nadia Boulanger and orchestration with Paul Dukas. There he attended many concerts and intensely experienced the latest compositions by Darius Milhaud, Francis Poulenc, ballet productions of many famous companies, as well as highly acclaimed performances by Jascha Heifetz, Vladimir Horowitz, Arthur Rubinstein and Ignacy Jan Paderewski. In 1923 Szeligowski worked in Vilnius, Lithuania (then part of the Second Polish Republic), as lawyer and lecturer at the Conservatory of Music. There he met Karol Szymanowski and became a great admirer of his music. From 1951-1962 Szeligowski worked in Warsaw, first for the faculty of the Fryderyk Chopin University of Music in Warsaw, and later as director of the Polish Society of Composers. A large group of his graduates on composition include: Zbigniew Bargielski, Augustyn Bloch, Joanna Bruzdowicz, Wojciech Lukaszewski, Tadeusz Wojciech Maklakiewicz, Boleslaw Ocias, Witold Rudzinski, Marek Sart, Aleksander Szeligowski and Antoni Szuniewicz. His works include the operas The Rise of the Scholars, Krakatuk and Theodor Gentlemen, the ballets The Peacock and the Girl and Mazepa ballets, two violin concertos, Piano Concerto, chamber and choral works There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
Joanna Bruzdowicz Faber Pierre Schaeffer Marc Grauwels 1968 1970 1975 1981
Creel Pone treatment of this gorgeous minimal drone LP, a majorly slept-on set of dark, minimal, surrealist electro-acoustic & Musique Concrète pieces from the Polish composer Joanna Bruzdowicz, a member of the GRM under Pierre Schaeffer’s tutelage between 1968 & 1970 & long-term collaborator of Agnes Varda’s, for whom she scored several films from the mid-80’s on, including “Les Glaneurs et la Glaneuse.” The LP in question consists of the three-part “Homo Faber” suite - composed in Belgium between 1970 & 1975 at the storied IPEM in Ghent - & a 5-part suite of flute (performed admirably by Marc Grauwels) & electronic miniatures, “Dum Spiro Spero,” composed in 1981. Ranging from edit-heavy Concrète assemblages to more serene & focused tonal studies, this set shows the work on a composer exhibiting complete technical & conceptual control over the early European tape-studio in a way that few truly did - remarkable this music has flown under the radar for so long. Further reading: (http•••) Rare & covetable Early-Electronic & Avant-Garde vinyl: (http•••)
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- cronologia: Compositori (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): B...