Jean Gallon Video
pedagogo e compositore francese
- musica classica
- Francia
- compositore, direttore d'orchestra, direttore di coro, insegnante di musica, professore universitario
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2024-05-02
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Claude Arrieu Johann Sebastian Bach Igor Stravinsky Gabriel Fauré Claude Debussy Maurice Ravel Marguerite Long Georges Caussade Noël Gallon Jean Roger Ducasse Ducasse Paul Dukas Pierre Schaeffer Jean Pierre Rampal Roussel Frédéric Chopin Johannes Brahms Wolfgang Amadeus Mozart Sergei Rachmaninov Franz Liszt Astor Piazzolla Beethoven Georges Bizet Gioachino Rossini Antonio Vivaldi Niccolò Paganini Pyotr Ilyich Tchaikovsky Johann Strauss John Dowland Franz Joseph Haydn Ralph Vaughan Williams Giovanni Battista Pergolesi Antonín Dvořák Giacomo Puccini Franz Schubert Giuseppe Verdi Opéra Marseille 1924 1932 1934 1935 1936 1937 1938 1943 1944 1945 1946 1947 1949 1953 1955 1957 1958 1960 1961 1962 1964 1965 1970 1974
Relax and enjoy with the best classical music of all times! Subscribe: (http•••) Claude Arrieu - Quintette en Ut, pour flute, hautbois, clarinette, cor et basson (1955) 1 Allegro 2 Andante 3 Allegro Scherzando 4 Adagio 5 Allegro vivace Claude Arrieu was a classically trained musician from an early age. She became particularly interested in works by Bach and Mozart, and later, Igor Stravinsky. However, Gabriel Fauré, Claude Debussy, and Maurice Ravel provided her the most inspiration. Dreaming of a career as a virtuoso, she entered the Conservatoire de Paris in 1924. She became a piano student of Marguerite Long and took classes from Georges Caussade, Noël Gallon, Jean Roger-Ducasse and Paul Dukas. In 1932, she received first prize for composition. From this point on, she developed her personal style. She was particularly interested in the evolution of musical language and various technical means available. In 1935, she joined the French Radio Broadcasting Program Service (« Service des programmes de la Radiodiffusion française »), where she was employed to 1947. She participated in the development of a wide range of programming, including Pierre Schaeffer’s experimental radio series, La Coquille à planètes (1943–1944). In 1949, she won the Prix Italia of the RAI for her score Frédéric Général. She wrote music in all styles, composing works of "pure music" as well as music for theatre, film, radio, and music hall, contributing her own voice to every situation, dramatic or comic, with a particular taste for rhythm and imagery. Her musical gift is typified by its ease of flow and elegance of structure. Vivacity, clarity of expression, and a natural feel for melody are her hallmarks. Arrieu composed concertos for piano (1932), two pianos (1934), two concertos for violin (1938 and 1949), for flute (1946), trumpet and strings (1965). She also wrote Petite suite en cinq parties (1945), "Concerto for wind quintet and strings" (1962), Suite funambulesque ("Tightrope Walker's Suite") (1961), and "Variations for classical strings" (1970). Among her important chamber music compositions are her "Trio for Woodwinds" (1936), "Sonatina for Two Violins" (1937), and "Clarinet Quartet" (1964). Her "Sonatine for flute and piano" made a big impression at its first radio performance in 1944 by Jean-Pierre Rampal and H. Moyens. Although Arrieu’s instrumental works strongly contributed to her legacy, it is vocal music that most markedly distinguish her career. Voice inspired her to set many poems to music, including those by Joachim du Bellay, Louise Levêque de Vilmorin, Louis Aragon, Jean Cocteau, Jean Tardieu, Stéphane Mallarmé, and Paul Éluard. Examples include Chansons Bas for voice and piano based on poems by Mallarmé (1937); Candide, radio music on texts by Jean Tardieu based on Voltaire; and À la Libération, cantata of seven poems on love in war, on poems by Paul Éluard Her first opéra bouffe, Cadet Roussel with a libretto by André de la Tourasse after Jean Limozin, was presented at the Opéra de Marseille on 2 October 1953. In 1960, La princesse de Babylone ("Princess of Babylon"), an opéra bouffe after the work of Voltaire adapted by Pierre Dominica, was praised for its lyrical originality and spectacle. Noteworthy film scores include: Les Gueux au paradis (1946), Crèvecoeur (1955), Niok l'éléphant (1957), Marchands de rien (1958), Le Tombeur (1958), and Julie Charles (for television, 1974). Pierre Schaeffer writes: "Claude Arrieu is part of her time by virtue of a presence, an instinct of efficiency, a bold fidelity. Whatever the means, concertos or songs, music for official events, concerts for the elite or for a crowd of spectators, she delivered emotion through an impeccable technique and a spiritual vigilance, finding the path to the heart." Listen Fantastic Piano, Violin and Orchestral Masterpieces by the greatest composers of all time. Claude Debussy, Frédéric Chopin, Johannes Brahms, Wolfgang Amadeus Mozart, Sergei Rachmaninov, Franz Liszt, Astor Piazzolla, Johann Sebastian Bach, Ludwig van Beethoven, Georges Bizet, Gioachino Rossini, Antonio Vivaldi, Niccolò Paganini, Wagner Richard, Pyotr Ilyich Tchaikovsky, Johann Strauss, John Dowland, Franz Joseph Haydn, Ralph Vaughan Williams, Giovanni Battista Pergolesi, Antonín Dvořák, Giacomo Puccini, Igor Stravinsky, Franz Schubert, Giuseppe Verdi, and others… Subscribe: (http•••)
Jeanine Rueff Challan Noël Gallon Busser Marcel Mule Chailley Eugène Bozza Pierre Max Dubois Dubois Jacques Ibert 1922 1945 1948 1950 1951 1954 1956 1960 1977 1988 1997 1999 2000
0:00 Chanson 1:38 Passepied Jeanine Rueff (5 February 1922 – c. September 1999) was a French composer and music educator. Rueff was born in Paris and studied at the Conservatoire de Paris with Tony Aubin, Henri Challan, Jean and Noël Gallon, and Henri Busser. In 1948 she won second place in the Grand Prix de Rome with Odette Gartenlaub. Rueff worked from 1950 as an assistant in the saxophone class of Marcel Mule and in the clarinet class of Ulysse Delecluse at the Conservatoire de Paris. In 1960 she became a teacher there for Solfège sight singing, and from 1977 to 1988 she taught harmony. Her most famous pupil was Jean-Michel Jarre. In 1945 Rueff received the Prix Favareille-Chailley-Richez for a jazz piano quintet. She also composed the chamber opera Le Femme d'Enée (1954), a concerto for four saxophones and a Symphonietta (1956). The ensemble Saxallegro (with Hannes Kawrza, saxophone, and Florian Pagitsch, organ) recorded her 1997 Chanson et Passepied together with works by Eugène Bozza, Pierre Max Dubois, and Jacques Ibert and the recording was issued on a CD. In 1999 she provided concert pieces for bass trombone in the program of the Concours International de Trombone in Guebwiller. Rueff was buried on 22 September 1999, and the saxophone quartet Ledieu 2000 gave a concert in her memory. (http•••) Christopher Creviston, saxophone Hannah Creviston, piano Source : (http•••) / Please subscribe to my channnel.
Türk Ulvi Cemal Erkin Camille Decreus Jean Gallon Gallon Nadia Boulanger Nin Praetorius 1904 1906 1910 1925 1943 1972
ULVİ CEMAL ERKİN +••.••(...)) Türk Beşleri olarak adlandırılan, yaklaşık 1904-1910 yılları arasında doğmuş olan birinci kuşak bestecilerimiz arasında yer alan Ulvi Cemal Erkin, "Çağdaş Türk Müziği" ne yön veren en önemli bestecilerden biri idi. Cumhuriyetin ilan edilmesi ile başlayan yeni atılımlar ve ulusal bilincin yaratılması konusundaki girişimler, en önemli devrimlerden biri olan müzik devrimini de gündeme getirdi. Bu devrimin gerçekleşmesi büyük önder Atatürk'ün yıllar öncesinden tasarlayıp olgunlaştırdığı konulardandı. Ancak " Çok Sesli Çağdaş Türk Müziği" temellerinin atılabilmesi için bu alanda akademik eğitim görmüş Türk sanatçılarına gereksinim vardı. Bu nedenle, Atatürk güzel sanatların çeşitli dallarında öğrenim görecek genç yetenekleri Avrupa'ya yollamayı kararlaştırdı. Nitekim, bu amaçla, 1925 yılında, Milli Eğitim Bakanlığı Müzik öğrenimi görecek gençleri seçmek için bir sınav açtı. Ulvi Cemal Erkin bu sınavı kazandığı zaman ondokuz yaşında idi. Sekiz yaşından beri aralıksız sürdürdüğü müzik eğitimine bu sınavın sonucu olarak Paris'te devam edecekti. Paris Konservatuar'ında Isidor Philip, ve Camille Decreus ile piyano, Jean Gallon ile armoni, Noel Gallon ile kontrpuan çalışan Ulvi Cemal Erkin, daha sonra öğrenim yaptığı Ecole Normale de Musique'de Nadia Boulanger'nin kompozisyon öğrencisi olmuştur. Halk Müziği'nin zengin kaynaklarından yararlanıp, aksak ritimli yapının arasına ya da üstüne taksim gibi serbest ve durgun bir bölme yerleştirerek değişik hava yaratmak Ulvi Cemal Erkin'in sıkça ve başarıyla uyguladığı bir teknikti. Erkin yapıtlarında kolayca benimsenen ve akılda kalan Türk ezgilerini bularak, bunları zevkli bir armoni üzerine oturtmasını, Anadolu'nun kokusunu, rengini ve sesini Batı'nın tekniği ile çağdaş kalıplar içine ustaca dökmesini bildi. Ulvi Cemal Erkin'in eserlerindeki içtenlik, sıcaklık ve yalınlık onların sevilip sık çalınmasının başlıca nedeni olmuştur. Incelikli bir beğeni süzgecinden geçirerek uzun uzun düşünen ve tartan, müziği notaya aktarırken daha çok titizlenen Erkin, duyguyu daima öne alan özgün eserler vermiş ve soylu olanı seçmesini bilen kişisel stili ile ülkesinin müziğini yüceltmiştir. Ulvi Cemal Erkin'in eserleri Türkiye dışında da sık sık seslendirilmektedir. Yapıtlarını seslendiren, Çek Filarmoni Orkestrası, Colonne Orkestrası ve Paris Radyo Senfoni Orkestrası gibi orkestraları bizzat yönetmiştir. İlk seslendirme: Riyaset-i Cumhur Filarmoni Orkestrası, şef: Dr. Ernst Praetorius, Ankara Radyoevi, 1 Şubat 1943. Kaynakça: Profesör Koral Çalgan'ın yazılarından alınmıştır.
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- cronologia: Compositori (Europa). Direttori d'orchestra (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): G...