Wilhelm Joseph von Wasielewski Video
compositore
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2024-05-19
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Fryderyk Chopin Jankowski Matuszyński Konstancja Gładkowska Dobrowolski Klas Wasielewski Kamiński 2010
widowisko plenerowe z okazji 200 rocznicy urodzin Fryderyka Chopina przygotowane przez Kutnowski Dom Kultury i Państwową Szkołę Muzyczną I i II stopnia im. K. Kurpińskiego w Kutnie 12 czerwca 2010r. Szkoła Muzyczna i park im. Wiosny Ludów Obsada Fryderyk Chopin – Daniel Jędrzejczak Mikołaj Chopin, ojciec Fryderyka – Leszek Baranowski Justyna Chopin, matka Fryderyka – Joanna Marciniak Ludwika Jędrzejewiczowa z domu Chopin, siostra Fryderyka – Kamila Banasiak Izabela Barcińska z domu Chopin, siostra Fryderyka – Magdalena Komur Ludwika Jędrzejewiczówna, siostrzenica Fryderyka – Alicja Komur Henryk Jędrzejewicz, siostrzeniec Fryderyka – Kacper Górski Jan Białobłocki – Dawid Jankowski Tytus Woyciechowski – Przemysław Fałowski Feliks Wodziński – Janusz Łukomski Jan Matuszyński – Krzysztof Bździel Maria Wodzińska – Joanna Rybacka Konstancja Gładkowska – Marta Kolasińska George Sand – Lidia Baranowska Służąca – Monika Ogłoszka Muzycy: Agnieszka Pajor, Jakub Gajdecki, Łukasz Łukaszewicz, Michał Chojnacki, Marzena Wieczorek, Hubert Smoliński, Aleksandra Wiklak, Patryk Jędrzejczak, Nauczyciele PSM: Karol Dobrowolski, Dariusz Bełdowski, Włodzimierz Sieczkowki W spektaklu wystąpili dawni i obecni członkowie: Grupy Teatralnej „od jutra”, Teatru „Puszek”, laureaci Ogólnopolskiego Konkursu Recytatorskiego i Konkursu Recytatorskiego „Oblicza wojny” oraz uczniowie klas fortepianu PSM w Kutnie. Pomysł i scenariusz Teresa Mosingiewicz Współpraca Małgorzata Musiałowska Fryzury Marta Dankowska Nagłośnienie Radosław Rojewski, Maciej Wasielewski Oświetlenie Robert Kamiński, Zbigniew Kamiński Reżyseria Krzysztof Ryzlak Organizatorzy dziękują Muzeum Regionalnemu w Kutnie i Magdzie Górskiej za pomoc w realizacji projektu.
In the French 18th Century section from Wasielewski's book "The Violoncello and Its History" I have looked a bit more at J.B. Bréval. He is interesting to me mainly because of the Sonata in C major that I (and many other cello students) learned somewhere in my 4th or 5th year of learning cello. It seemed like a nice piece to me then, although it was challenging. I have often wondered if he had written more. Wonder no longer, he did write more! In fact, he wrote a set of 6 sonatas in the same level. They are great practice pieces and can be performed by the students as well. We should be thanking these cellists who devoted so much time and energy to writing pedagogical works. That brings me to his Cello Method. Did you know that it is not just dry writing and exercises? He included over 100 pages of duets and sonatas complete with scales and arpeggios. Thanks for watching and liking! If you would like to consider tipping me I have a virtual tip jar, so to speak, that you can add to here: PayPal.me/travelingcello Or you might think being a longer term supporter is more your style, where you can get patron-specific material and content on my Patreon account. (http•••) So far, 2 Patrons and 4 Tips! Thanks for the beginnings of something incredible!! Aaron
Carl Heinrich Carsten Reinecke Humet Altona Felix Mendelssohn Robert Schumann Franz Liszt Wasielewski Brahms Edvard Grieg Basil Harwood Harwood Charles Villiers Stanford Villiers Christian Sinding Leoš Janáček Isaac Albéniz August Max Fiedler Fiedler Walter Niemann Niemann Johan Svendsen Richard Franck Felix Weingartner Max Bruch Mikalojus Konstantinas Čiurlionis Ernest Hutcheson Felix Fox August Winding Mozart Hupfeld Gewandhaus 1824 1843 1846 1848 1850 1851 1860 1864 1865 1869 1892 1895 1902 1904 1910
Carl Heinrich Carsten Reinecke +••.••(...)) Konzertstück for Piano and Orchestra in G minor, Op. 33 (1848) Allegro 0:00 - Lento ma non troppo 5:43 - Allegro 11:09 Jordi Humet Alsius, piano Sinfonieorchester HMT Leipzig David Claudio Bejarano, conductor Carl Reinecke was born in Altona, Hamburg, Germany; until 1864 the town was under Danish rule. He studied with his father, Johann Peter Rudolph Reinecke, a music teacher. Carl began to compose at the age of seven, and his first public appearance as a pianist was when he was twelve years old. At the age of 19, he undertook his first concert tour in 1843, through Denmark and Sweden. After a stay in Leipzig, where he studied under Felix Mendelssohn, Robert Schumann and Franz Liszt, Reinecke went on tour with Königslöw and Wilhelm Joseph von Wasielewski (later Schumann's biographer), in North Germany and Denmark. In 1846, Reinecke was appointed Court Pianist for Christian VIII in Copenhagen. There he remained until 1848, when he resigned and went to Paris. Overall he wrote four concertos for his instrument (and many cadenzas for others' works, including a large set published as his Opus 87), as well as concertos for violin, cello, harp and flute. In the winter of 1850/51, Carl Schurz reports attending weekly "musical evenings" in Paris where Reinecke was in attendance. In 1851, Reinecke became a professor at the Cologne Conservatory. In ensuing years he was appointed musical director at Barmen, and became the academic, musical director and conductor of the Singakademie at Breslau. In 1860, Reinecke was appointed director of the Gewandhaus Orchestra concerts in Leipzig, and professor of composition and piano at the Conservatorium. He led the orchestra for more than three decades, until 1895. He conducted premieres such as the full seven-movement version of Brahms's A German Requiem (1869). In 1865 the Gewandhaus-Quartett premiered Brahms' piano quintet, and in 1892 his D major string quartet. Reinecke is best known for his flute sonata "Undine", but he is also remembered as one of the most influential and versatile musicians of his time. He served as a teacher for 35 years, until his retirement in 1902. His students included Edvard Grieg, Basil Harwood, Charles Villiers Stanford, Christian Sinding, Leoš Janáček, Constanta Erbiceanu, Isaac Albéniz, August Max Fiedler, Walter Niemann, Johan Svendsen, Richard Franck, Felix Weingartner, Max Bruch, Mikalojus Konstantinas Čiurlionis, Ernest Hutcheson, Felix Fox, August Winding and many others. After retirement from the conservatory, Reinecke devoted his time to composition, resulting in almost three hundred published works. He wrote several operas (none of which are performed today) including König Manfred. During this time, he frequently made concert tours to England and elsewhere. His piano playing belonged to a school in which grace and neatness were characteristic, and at one time he was probably unrivalled as a Mozart player and an accompanist. In 1904 at the age of 80, he made recordings of seven works playing on piano roll for the Welte-Mignon company, making him the earliest-born pianist to have his playing preserved in any format. He subsequently made a further 14 for the Aeolian Company's "Autograph Metrostyle" piano roll visual marking system and an additional 20 for the Hupfeld DEA reproducing piano roll system. He died at 85 in Leipzig.
Carl Reinecke Hellwig Alun Francis Felix Mendelssohn Robert Schumann Franz Liszt Wasielewski Brahms Edvard Grieg Basil Harwood Harwood Charles Villiers Stanford Villiers Christian Sinding Leoš Janáček Isaac Albéniz August Max Fiedler Fiedler Walter Niemann Niemann Johan Svendsen Richard Franck Felix Weingartner Max Bruch Mikalojus Konstantinas Čiurlionis Ernest Hutcheson Felix Fox August Winding Mozart Hupfeld Nordwestdeutsche Philharmonie Gewandhaus 1824 1843 1846 1848 1850 1851 1860 1865 1869 1872 1892 1895 1902 1904 1910
Carl Reinecke (23 June 1824 – 10 March 1910) was a German composer, conductor, educator and pianist. Please support my channel: (http•••) Piano Concerto No. 2 in E minor, Op. 120 (1872) Dedication: Joseph Kirkman in London 1. Allegro (0:00) 2. Andantino quasi Allegretto (G major) (13:34) 3. Finale. Allegro (brillante) (E major) (19:36) Klaus Hellwig., piano and the Nordwestdeutsche Philharmonie conducted by Alun Francis At the age of 19, he undertook his first concert tour in 1843, through Denmark and Sweden. After a stay in Leipzig, where he studied under Felix Mendelssohn, Robert Schumann and Franz Liszt, Reinecke went on tour with Königslöw and Wilhelm Joseph von Wasielewski (later Schumann's biographer), in North Germany and Denmark. In 1846, Reinecke was appointed Court Pianist for Christian VIII in Copenhagen. There he remained until 1848, when he resigned and went to Paris. Overall he wrote four concertos for his instrument (and many cadenzas for others' works, including a large set published as his Opus 87), as well as concertos for violin, cello, harp and flute. In the winter of 1850/51, Carl Schurz reports attending weekly “musical evenings” in Paris where Reinecke was in attendance. In 1851, Reinecke became a professor at the Cologne Conservatory. In ensuing years he was appointed musical director at Barmen, and became the academic, musical director and conductor of the Singakademie at Breslau. In 1860, Reinecke was appointed director of the Gewandhaus Orchestra concerts in Leipzig, and professor of composition and piano at the Conservatorium. He led the orchestra for more than three decades, until 1895. He conducted premieres such as the full seven-movement version of Brahms's A German Requiem (1869). In 1865 the Gewandhaus-Quartett premiered Brahms' piano quintet, and in 1892 his D major string quartet. Reinecke is best known for his flute sonata "Undine", but he is also remembered as one of the most influential and versatile musicians of his time. He served as a teacher for 35 years, until his retirement in 1902. His students included Edvard Grieg, Basil Harwood, Charles Villiers Stanford, Christian Sinding, Leoš Janáček, Constanta Erbiceanu, Isaac Albéniz, August Max Fiedler, Walter Niemann, Johan Svendsen, Richard Franck, Felix Weingartner, Max Bruch, Mikalojus Konstantinas Čiurlionis, Ernest Hutcheson, Felix Fox, August Winding and many others. See: List of music students by teacher: R to S#Carl Reinecke. After retirement from the conservatory, Reinecke devoted his time to composition, resulting in almost three hundred published works. He wrote several operas (none of which are performed today) including König Manfred. During this time, he frequently made concert tours to England and elsewhere. His piano playing belonged to a school in which grace and neatness were characteristic, and at one time he was probably unrivalled as a Mozart player and an accompanist. In 1904 at the age of 80, he made recordings of seven works playing on piano roll for the Welte-Mignon company, making him the earliest-born pianist to have his playing preserved in any format. He subsequently made a further 14 for the Aeolian Company's "Autograph Metrostyle" piano roll visual marking system and an additional 20 for the Hupfeld DEA reproducing piano roll system. He died at 85 in Leipzig.
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- cronologia: Compositori (Europa).
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