Lizette Emma Orth Podcasts
composer
- United States of America
Last update
2024-05-14
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Have you ever wondered what it takes to create a new opera? Season 5 of Key Change, from the Santa Fe Opera Department of Community Engagement, is coming soon and we’d LOVE for you to help us celebrate its 5th anniversary. We just learned that Key Change is a FINALIST in the Signal Awards for the podcasting industry! We are up for 2 different awards: Best Music Show for the 4th season; and Best Diversity, Equity, and Inclusion Episode for “Telling Hard Truths”, an episode following the commission, creation, and world premiere of This Little Light of Mine by Chandler Carter and Diana Solomon-Glover. A panel of esteemed industry leaders will be judging the Signal Awards and YOU can help us win Listener’s Choice in both categories by voting for Key Change on their website. We’ve linked both of the voting pages in the show notes in the episode description in your app. To vote for best Music show go to bit.ly/podcastawardmusic. To vote for best DEI episode go to bit.ly/podcastawarddei. Voting ends October 5th, 2023. So please cast your vote as soon as you can! And yes, you do need to create a sign-in on their site, as they are VERY serious about keeping it fair and preventing people from spamming the ballot box. We are honored to be recognized for the quality, the heart, and the impact of Key Change and Opera For All Voices. It would be the icing on the show's 5th anniversary cake to officially win a Signal Award! Thank you, as always, for your support! If you haven't yet listened to Key Change, catch up in your favorite podcast app before Season 5 launches in January 2024. *** Excerpt features the voice of Music Director for This Little Light of Mine, Jeri Lynne Johnson and Jaqueline "Cookie" Hamer Flakes, daughter of Fannie Lou Hamer, as well as music from This Little Light of Mine. *** Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices. Produced and edited by Andrea Klunder at The Creative Impostor Studios Hosted by Andrea Fellows Fineberg & Anna Garcia Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe Production Manager: Alex Riegler Show Notes by Lisa Widder Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello Cover art by Dylan Crouch This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon foundation, and an Opera America innovation Grant supported by the Anne & Gordon Getty Foundation. To learn more about Opera For All Voices, visit us at SantaFeOpera.org.
Rossini’s La Cenerentola combines the human warmth of the beloved Cinderella story with the wit and sparkle of The Barber of Seville. Seattle Opera Dramaturg Jonathan Dean introduces La Cenerentola with musical examples from Seattle Opera’s archival recordings of La Cenerentola: from 1996, with Laura Polvarelli (Cenerentola), Gregory Kunde (Don Ramiro), Robert Orth (Dandini), Jan Opalach (Alidoro), Julian Patrick (Don Magnfico), Louise Marley (Tisbe), and Sally Wolf (Clorinda), conducted by Yves Abel; and from 2013, with Karin Mushegain (Cenerentola), Edgardo Rocha (Ramiro), Brett Polegato (Dandini), Arthur Woodley (Alidoro), Sarah Larsen (Tisbe), Dana Pundt (Clorinda), Patrick Carfizzi (Don Magnifico), conducted by Giacomo Sagripanti. Special example of Kate Lindsey singing Cenerentola’s rondo at 2014’s Speight Gala conducted by Carlo Montanaro.
Rossini’s La Cenerentola combines the human warmth of the beloved Cinderella story with the wit and sparkle of The Barber of Seville. Seattle Opera Dramaturg Jonathan Dean introduces La Cenerentola with musical examples from Seattle Opera’s archival recordings of La Cenerentola: from 1996, with Laura Polvarelli (Cenerentola), Gregory Kunde (Don Ramiro), Robert Orth (Dandini), Jan Opalach (Alidoro), Julian Patrick (Don Magnfico), Louise Marley (Tisbe), and Sally Wolf (Clorinda), conducted by Yves Abel; and from 2013, with Karin Mushegain (Cenerentola), Edgardo Rocha (Ramiro), Brett Polegato (Dandini), Arthur Woodley (Alidoro), Sarah Larsen (Tisbe), Dana Pundt (Clorinda), Patrick Carfizzi (Don Magnifico), conducted by Giacomo Sagripanti. Special example of Kate Lindsey singing Cenerentola’s rondo at 2014’s Speight Gala conducted by Carlo Montanaro.
Week Two - Another Opening, Another Show! You'll hear from my friend, baritone Michael Mayes, on this episode. In early June, I spoke with him over coffee in his living room in Lyons, Colorado. Mike shares his thoughts on his role as Baron Scarpia in Tosca, life as an opera singer on the road, his perspective on new opera - including a recent exciting project with one of his heroes and someone familiar to Central City Opera audiences, baritone Robert Orth. Mike also shares his opinion on how opera in general can thrive, and the sense of family that is present at Central City Opera. Have questions or want to give us feedback? Email us at [email protected]. Remember to subscribe to our podcast on iTunes or Stitcher to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at www.centralcityopera.org.
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