Shi-Yeon Sung Podcasts
South Korean conductor
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2024-05-13
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Shakespeare’s “Romeo and Juliet” is the most famous love story in the Western canon. It’s a tale so embedded in our culture — one that has seen so many iterations and retellings — it might feel hard to appreciate its original pathos, and the way it perfectly distills the intersections of young romance, idealism, and rebellion. In this episode, host Rhiannon Giddens and guests take a fresh look at this classic by focusing on the character of Juliet and her pivotal decision to take the friar’s draught, a concoction that will help her feign death long enough to escape an arranged marriage and run away with Romeo. It’s both an act of tremendous courage and one that sets their tragedy in motion. In Charles Gounod’s operatic retelling, the aria Juliet delivers as she wrestles away her fear is so difficult that it’s often cut from productions. But it’s a pivotal moment, and a testament to Juiet’s agency. Soprano Diana Damrau is up to the task, and delivers a rendition of “Amour, ranime mon courage” — otherwise known as the “poison aria” — from the stage of the Metropolitan Opera. THE GUESTS Soprano Diana Damrau is among the most celebrated opera singers of her generation. She’s graced the stages of opera houses all over the world, and Sung the role of Juliette at both The Metropolitan Opera and La Scala. After her debut as Juliette in 2016, it quickly became a favorite. For her, Gounod’s “Roméo et Juliette” is “one of the most beautiful operas ever written.” Yannick Nézet-Séguin serves as music director for the Met Opera orchestra, the Philadelphia Orchestra, and Montreal’s Orchestre Metropolitain, among many other appointments and collaborations with esteemed orchestras. In his opinion, “Roméo et Juliette” beats out “Faust” as Gounod’s best opera. Emma Smith is a Shakespeare scholar and critic at the University of Oxford. Among her publications is the book “This Is Shakespeare,” which was a Sunday Times bestseller and has been translated into several languages. Smith frequently works with theater companies on their productions of Shakespeare plays and consults for film and television.Acclaimed British author and theater director Neil Bartlett, whose novels include “The Disappearance Boy” and “Address Book,” directed “Romeo and Juliet” for the Royal Shakespeare Company in London. He says the experience leaves him feeling “wrung dry with admiration.”
2023-12-23 13:00:00
Duration (h:m:s): 28:20
Jess Gillam is joined by Norwegian soprano and Last Night of the Proms star Lise Davidsen for a very Christmassy edition of This Classical Life. They share their favourite Christmas music and chat about what gives them that festive feeling! Lise Davidsen has been described as “the greatest soprano in the world right now”, with a “one-in-a-million voice”. Her performance at the Last Night of the Proms 2023 received rave reviews, and she has Sung at iconic venues including the Metropolitan Opera House, Royal Opera House, and Teatro alla Scala, Milan. And she’s just released a whole album of seasonal favourites and Nordic delights via Decca, called Christmas From Norway.Lise brings along a haunting Scandinavian carol, a sugary-sweet soundtrack from a cult Christmas film, and a modern classic from Coldplay. Jess's choices include a traditional English wassail song, a rock'n'roll Rudolph from Chuck Berry, and a Christmas jig from Yo-Yo Ma and Natalie MacMaster.PLAYLIST:ADOLPHE ADAM – O helga natt (Adams julsång) [Jussi Björling] NATALIE MACMASTER/ TRAD. FRENCH-CANADIAN - A Christmas Jig/Mouth of the Tobique Reel [Yo-Yo Ma, Natalie MacMaster] CHUCK BERRY – Run Rudolph Run KAREL SVOBODA – Drei Haselnüsse für Aschenbrödel (Three Wishes for Cinderella): Motiv - Einleitung TRAD. ENGLISH – Wassail Song [John Kirkpatrick and friends] SAMUEL COLERIDGE-TAYLOR – The Forest of Wild Thyme Op 74: Christmas Overture (arr. Sydney Baynes for orchestra) TRAD. SCANDINAVIAN – Mitt hjerte alltid vanker (My Heart Forever Dwells) [arr. O. Matre for chorus] COLDPLAY – Christmas Lights
Il Giustino RV 717 is a 1724 opera by Vivaldi set to a libretto by Nicolò Beregan, also set by Albinoni and Handel. The opera was composed for the 1724 carnival season in Rome and premiered at the Teatro Capranica. The aria of Anastasio, Vedrò con mio diletto, has become a famous piece Sung at concerts and on recordings by countertenors such as Philippe Jaroussky and Jakub Józef Orliński and by contraltos as Sonia Prina. Sinfonia of Act I, Scene V, is also used by Vivaldi as the main motif of the first movement of La Primavera ("Spring") from his concerti The Four Seasons. The opera was revived in modern times in 1985 in a production directed by Alan Curtis and performed at the Teatro Olimpico in Vicenza, at the Opéra Royal of the Palace of Versailles, and at the Teatro La Fenice in Venice. According to data reported by Le magazine de l'opéra baroque, a subsequent performance in concert form was held at the Mégaron Musikis in Athens in 2007, while a further revival on stage, for a total of twelve performances, took place, between 2008 and 2009, at the Oldenburgisches Staatstheater. In July 2018, a concert performance was given at the Festival International d'Opéra Baroque de Beaune — with the Accademia Bizantina conducted by Ottavio Dantone. In August 2018, a full costume version of Il Giustino, directed by Deda Cristina Colonna and conducted by Peter Spissky and the Camerata Øresund, figured as one of the central pieces in the Næstved Early Music Festival.
Live on Introductions this morning is cellist Simon Updegraff from the Music Institute of Chicago Academy. He begins on the 11th hour of the 11th day of the 11th month with Elgar’s Cello Concerto, followed by works of Bach and Bloch; a cello suite of Chad “Sir Wick” Hughes, and Monti’s Csárdás. Sung Hoon Mo plays piano. Simon Updegraff, 16, is a Scholarship Fellow at the Music Institute of Chicago Academy, a program for advanced pre-college musicians. He began Suzuki cello lessons at age four and studies with Avi Friedlander. Simon is a winner of the Chicago Chamber Music Festival Concerto Competition and has soloed with the Northeastern Illinois University Orchestra. He is a first-place winner of the Primary, Junior, and Intermediate cello division competitions of the Society of American Musicians. He received honorable mention in the 2022 Walgreens National Concerto Competition and was selected for the 2023 Illinois Music Education Association all-state honors orchestra. He has performed in the Young Steinway Concert series at the Skokie Public Library and played twice as assistant principal in the Suzuki Youth Orchestra of the Americas at the Suzuki Association of the Americas Biennial Conference. Simon has taken master classes with Natasha Brofsky, Richard Aaron, Melissa Kraut, and Benjamin Lash. Simon is a junior at New Trier High School where he is the co-captain of the Varsity Scholastic Bowl Team and founded the school’s Classical Music Club. He is a member of the New Trier Symphony Orchestra and performed with them at Lincoln Center in New York City. The post LIVE | Simon Updegraff, 16, cello appeared first on WFMT.
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