Carol Sindell News
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2024-04-26
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2021-01-19 03:32:11
"On a Personal Note" goes behind the scenes to explore music’s emotional impact, taking listeners on a powerful and personal journey. This episode features flutist Jessica Sindell as she reflects on her time with the Cleveland Orchestra Youth Orchestra, landing her dream job, and the relentless pursuit of imperfection. PREVIOUS ON A PERSONAL […] The post appeared first on The World's Leading Classical Music News Source. Est 2009..
2014-10-10 17:52:13
[…] first and the superb musicianship of the executants second—which is exactly as it should be!” Here is Johannes Brahms’ Trio in A minor op.114, with Martin Fröst clarinet, Clemens Hagen cello, and Leif Ove Andsnes , piano: And next, here is the Brahms Horn Trio Op.40, with Daniel Barenboim, piano, Yitzhak Perlman , violin, and Dale Clevenger, Horn: Finally, here is The Florestan Trio: Janet Guggenheim, Carol Sindell, and Hamilton Cheifetz. Performing the Mendelssohn D – minor Trio: Do you want more music? Here is the Beaux Arts Trio with Schubert’s Piano Trio in B flat: Tags: Johannes Brahms, trios, Florestan Trio, Clarinet trio, Horn trio, Richard Mühlfeld, Schubert
2013-01-29 19:48:17
Homeward Bound - Part I
[…] been utterly forgettable classical Musak® in the hands of most composers, the recessional accompanying Salzburg Benedictine University’s latest batch of grads in 1779 was penned by a 23-year-old hometown genius, and we humans still find ourselves playing the music without any expectation of turned tassels or tossed caps. Elegantly joyful and perfectly crafted, Wolfgang’s episodic serenade served as a brilliant showcase for the elite group of orchestral musicians assembled. On flute and oboe, principals Jess Sindell and Marty Hebert stuck every complicated landing, flawlessly illustrating the technical marvel that is the Oregon Symphony woodwind section. And what about those strings?! [sigh] The violins never sounded sweeter, once again weaving sonic wonder, skillful precision, and powerfully surprising emotions under the leadership of newly minted concertmaster Sarah Kwak. After seven movements of absolute acoustic pleasure, the Schnitzer crowd was dismissed for intermission, instilled with a great spirit of encouragement and expectation for […]
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