Philippe Sly News
Canadian opera singer
- bass-baritone
- Canada
- opera singer
Last update
2024-04-25
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2024-03-10 05:00:27
Under pressure, the leader of Sly and the Family Stone came up with a sparse funky blues that baffled and beguiled
2024-03-07 07:39:00
Danza Gaya: Simon Callaghan & Hiroaki Takenouchi play with wonderful elan & relish, clearly having a great deal of fun
Danza gaya: music for two pianos - Madeleine Dring, Dorothy Howell, Pamela Harrison; Simon Callaghan, Hiroaki Takenouchi; LYRITAThree 20th-century English women composers, thirteen pieces all virtually unknown; Simon Callaghan & Hiroaki Takenouchi take us on an engagingly enjoyable explorationNone of the composers on pianists Simon Callaghan and Hiroaki Takenouchi's new disc are well enough known. Danza gaya on the Lyrita label features delightful music for two pianos by three women from 20th century English music, Madeleine Dring, Dorothy Howell and Pamela Harrison.We open with a group of pieces by Dring. Something of a child prodigy, Dring's time at the Royal College of Music would include lessons with Howells and Vaughan Williams, but her interests were wider and much of her working life was in theatre and cabaret. There is a lightness to a lot of her music that belies its fine craftsmanship and has, I think, rather mitigated against its appreciation. […]
2024-01-13 17:21:00
Eavesdropping on their dramas: Opera North's 'in the round' production Britten's Albert Herring
Britten: Albert Herring - Claire Pascoe, Dafydd Jones - Opera North (Photo: Tom Arber) Britten: Albert Herring; Judith Howarth, Heather Shipp, Amy Freston, William Dazeley, Paul Nilon, Richard Mosley-Evans, Dominic Sedgwick, Dafydd Jones, Katie Bray, Claire Pascoe, Rosa Sparks Willow Bell, Oliver Mason, director: Giles Havergal/Elaine Tyler-Hall, conductor: Garry Walker; Opera North at the Howard Assembly RoomA wonderfully involving revival of Giles Havergal's intimate, in the round production of Britten's comedy brings out the work's humanityBritten's Albert Herring was written as a relatively portable chamber opera for the English Opera Group. FamouSly premiered at Glyndebourne in 1947, when John Christie evidently told people he didn't like it, the work has generally been performed in medium to large size theatres. When Giles Havergal directed the work for Opera North in 2013, it was performed not in the Grand Theatre, Leeds, but in the smaller Howard Assembly Room.The production returned to the Howard […]
2024-01-12 07:27:00
Byrd Compared: Phantasm & Anna Prohaska celebrate the consort song
Byrd Compared: Byrd and English Song; Anna Prohaska, Phantasm; Wigmore HallReviewed 10 January 2024A programme celebrating the sheer diversity of William Byrd's consort songs, rendered with commitment and absolute identification by Anna Prohaska.The consort song was a peculiarly English form from the late 16th and early 17th centuries for a solo voice accompanied by viols and the form continued alongside the Italian madrigal and the lute song. Viol consorts were a sociable, private thing, groups of friends would gather for such, which meant that the consort song was a similar sort of event, definitely more for the parlour than anything more public.For their concert at Wigmore Hall on Wednesday 10 January 2023, Byrd Compared: Byrd and English Song, the viol consort Phantasm (Laurence Dreyfus, Jonathan Manson, Emilia Benjamin, Markku Luolajan-Mikkola) had clearly decided to mix things up somewhat and presented a programme of consort songs, not with a familiar specialist […]
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