Georgi Conus News
Russian composer
- violin
- classical music
- Russian Empire, Soviet Union
- composer, musicologist, music teacher, music theorist
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2024-04-26
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2022-05-23 11:01:24
Georgiy Conus: Rêverie Context Georgiy Conus (1862-1933) was primarily known as a music theorist, who also composed a number of works, many for the piano. Part of his Trois Compositions, Rêverie (Op.7) was composed sometime between 1895-1900. The Music Part of the building works of what we know as […] The post appeared first on Classicalexburns.
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Clairvoyant Classical Music
2019-09-11 23:10:10
Violin concerto written by Julius Conus played by Heifetz. Conus or "Konyus" wasn't really known as a composer but more as a great violinist in the 19th century and early 20th century. Despite that I still think this is a masterpiece and deserves to be appreciated. btw this piece is really difficult
2019-08-02 17:18:54
OUT NOW | Hermitage Piano Trio’s New CD: ‘Rachmaninoff’ [LISTEN]
Reference Recordings has this month announced the release of the Hermitage Piano Trio‘s new album: Rachmaninoff. The disc features Rachmaninoff’s Trio élégiaque No. 1 in G minor and No. 2 in D minor – coupled with Julius Conus’ piano trio arrangement of Rachmaninoff’s Vocalise Op. 34 No. 14. “When we as a group sat down […] The post appeared first on The World's Leading Classical Music News Source. Est 2009..
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Faces of classical music
2019-06-24 19:15:00
The best new classical albums: June 2019
Recording of the MonthRichard Strauss: Four Last Songs / Richard Wagner: Arias from TannhäuserLise Davidsen, sopranoPhilharmonia OrchestraConductor: Esa-Pekka SalonenRecorded 28 & 29 September and 6 & 7 October 2018 at Henry Wood Hall, LondonReleased on May 31, 2019, by Decca ClassicsOn her self-titled album, Lise Davidsen opens with two highly vivid arias from Wagner's "Tannhäuser". One is immediately plunged into a sound-world of highly charged and evocative emotion, which Davidsen depicts with effortless ease. The first, "Dich, teure Halle brims", is presented with boundless energy and vigor. In this first aria she demonstrates all the dramatic qualities and colors of her remarkable voice, but what is more exceptional here is the dexterity with which she can change the hues. This technically challenging aria is an impressive opener to a magnificent release.In the second aria, "Allmächt'ge Jungfrau!", Davidsen shows another, more lyrical aspect of her remarkable voice. Here she shapes phrases with a […]
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