Salomea Teschner News
Polish actress
- soprano
- opera
- Russian Empire
- stage actor, opera singer, theatre manager, theatrical director
Last update
2024-05-14
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2021-01-16 11:53:41
The performer is a mirror who should serve the text and the composer: French pianist Vincent Larderet discusses his approach in the light of his recent Liszt recital 'Between Light and Darkness'
[…] of Liszt's piano music but Vincent wanted to approach them in a new way, to bring out the contrast between the orchestral piano writing in the earlier works and the abstract, near minimalism in the late works. So the austere and mournful late works form a mirror to their complete opposite, the early works such as the Hungarian Rhapsodies, the opera fantasies, the transcendental studies. Vincent Larderet performing in Germany, 2013 (Photo Martin Teschner) We start to consider La lugubre gondola (1883) but first Vincent comments on the title being in French. Whilst Liszt spoke French, German, Italian, German and Hungarian, it was French that he used regularly and he was very influenced by French poetry. When considering the music of La lugubre gondola, Liszt uses the marking piangendo which means crying out. The work itself is austere, there are not many notes, but the expression is […]
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